Spanish artist Xavier Corberó spent about forty years designing and building his own house, an intricate maze at the outskirts of Barcelona in the town of Esplugues de Llobregat.
Back in 1959, when his journey began, the still unknown artist squatted one of the abandoned buildings in town. Progressively, he proceeded to convert the existing structures, to build on top of them, transforming a part of the derelict village in a surreal settlement and a huge display for his work. As time went on, Corberó acquired more terrain buying the surrounding houses while keeping building structures, adding stairways and underpasses, arches and enclosed gardens in an evolving composition which encompasses architecture and sculpture. Although the house is still a work in progress, Corberó manages to keep the overall design consistent, providing variety without turning the complex into a pastiche of styles and inventions while integrating anti-tectonic solutions like piers-less arches or isolated columns bearing no weight. The ongoing result, a difficult match between Peter Eisenman‘s early houses linguistics and Adolphe Appia‘s designed-stages, is a juxtaposition of theatrical views like these ones below:
Corberó converted the labyrinthine house in a residence for artists from all over the world. The invited guests are able to get a quiet and isolated space to let them work without everyday life’s pressures. The Spanish artist wished to provide a variety of spaces to enrich the inspiration of other artists, therefore he continued to add nooks, chambers and galleries where the visitors easily get lost. Over the years, the house reached over 10,000 square meters of deliberately anti-functional built space.
In residence, a video on Newness