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The Mound of Vendôme (2012) is a project exploring a radical reconstruction of a heap of dirt built by the Commune de Paris in 1871 in front of the Vendôme Column.

Before they toppled the column – a hated symbol of imperialism -, the Communards built the mound to cushion the street and surrounding buildings from the demolition’s impact. Following the suppression of the Commune, the Vendôme Column was rebuilt in 1873. We hope the mound will be rebuilt in 2013. The project to reconstruct the mound consists of an image of a physical proposal (shown at left) and a petition to the Department of Heritage and Architecture for the City of Paris (included below). The petition further explains the purpose of the mound and the reasons why the Commune destroyed the column.

The term radical reconstruction draws from the idea of radical history — generally, the history of politically radical social movements. A radical reconstruction relates to this tradition but further suggests the reawakening of radical historical thought through acts of architectural or urban reconstruction.

The Mound of Vendôme project also positions radical reconstruction more specifically within traditions of 1970s land-art and mail-art. The contemporary collage image was made along with the petition, which explains the project more fully and its ambitions. The historical images that follow the collage image provide more contextual background on the situation of the Vendome Column, the mound, and the Paris Commune.

PETITION

DATE: February 18, 2012
TO: Mr. Jacques Monthioux,
Director of Heritage and Architecture, City of Paris
FROM: David Gissen, Associate Professor, CCA
RE: Rebuild the Mound of Vendôme

In May of 1871, members of the Commune de Paris voted to destroy the Vendôme Column – a towering symbol of Napoleonic military might and triumph. In preparation for the demolition, the Communards built a mound of hay, sand, and urban detritus along the ground, directly in front of the column. The mound protected the windows and walls of the neighboring buildings from vibrations as the column was toppled and pulled to the ground.

The guys at Zones Sensibles wrote us that the author of the cover is their our “heteronymous” graphic studio “Le Théatre des Operations”, whose other works you can find here.

Béatrice Coron began working on her series of CityEscapes in 1999. In subsequent years she explored different themes and variations and created InnerCity, SagaCity and ExCentriCity, just to name a few. She creates, out of the proximity and juxtaposition of countless human activities, a multiplicity of possible narratives. “Personal Cities” began with the idea of imagining a city that would contain all the essential elements of one single person’s life. She asked friends to describe in words the kind of city they would like to call home. Beatrice then made a paper-cut image of each person’s wishes. This guided tour will help you discover these personal spaces, and visualize the city of your dreams.

Balloon City

It’s hard to picture now, but once our ancestors were heavier than air. They lived on the ground, in the dirt, vulnerable to predators. They looked up and envied the careless freedom of the birds.
All that ended one spring day when the First Balloonist demonstrated the first hot air balloon. He waved to the crowd as he sailed over the trees toward the ocean, never to be seen again.
But his example inspired our ancestors to build Balloon City. Today we’re still aloft, we’re still adding new balloons for young families and patching up the old balloons. We only come down for brief periods of planting and harvest, but in a different place every year. Most of the time we’re floating alongside each other, changing places, swapping books and recipies with new neighbors, holding open air concerts, gazing at the landscape, looking for whales if we’re over water, admiring constellations at night, always drifting and drifting.

Marie: Flower City

Marie’s Flower City would be a major tourist attraction if any airline were permitted to fly there. Several tall buildings open in the morning at sunrise and close at sunset, like giant flowers. This heliotropic community is filled with pleasant gardens and pools. All roads go through the air. At ground level, the main passage is filled with shops on one side and farms on the other side, so one never feels oppressed by too much urban development. As a result, the inhabitants are very relaxed and friendly—all the more so because there are no rich and no poor in Flower City. All transportation is public. People float from one place to another in propeller-driven bubbles.

Warren: Tree City

Warren’s Tree City should be the first destination for anybody who likes an outdoor life. Most of the city is actually outdoors; it is built upon an enormous, outspread oak. This city-sized tree, by the way, is the largest living thing known to Warren. On and around its branches, people go camping, fly kites, ride bicycles, go hiking or even enjoy a ride in an old-fashioned carriage. To get to the upper branches, you have to climb or take the blimp. If you want other diversions, you can visit a theater, a museum, or eat in some well-equipped kitchens inside the trunk where cooks prepare delicious meals for hungry bicyclists and hikers at the end of the day.

Lise: Village City

Lise’s Village City has been called “a city with the soul of a small town” (by Lise herself,). You’ll see this when you stroll around these neighborhoods. A woman leans out her window and talks to a man on a unicycle. Vendors carry baskets of nuts and dried fruit. Fresh laundry flutters overhead; the trolley passes by (cars are banned). Some people own giraffes, monkeys, or even alligators, but there’s nothing to worry about, because large reptiles must be leashed — it’s the law. The visitor to Village City will soon realize that the inhabitants have a passion for music. It seems as if everybody either sings or plays an instrument. Harps, cellos, and trombones are particularly popular, especially in trios. People play music out in the street when the weather is fair, and the children dance in their own way.

Mick: Water City

Mick’s Water City consists of three edifices rising from the sea. Unexpectedly, the local birds have grown to enormous sizes. If you go to the upper floors, you can feel the warmth of their wings as they fly past. The citizens of Water City like to go to parties, read poetry, play music, contemplate the sky, stand on their heads, and go fishing out of their windows. They are crazy about boat rides and they like to fly on the feathery backs of the giant birds. If you look at the top of the central building, you’ll see one lone bird sitting quietly in a cage; many consider this the only way to acquire wisdom. If you’re lucky, somebody may cancel their reservation for the cage just before you show up. Otherwise, you’ll have to add your name to the waiting list—which fortunately is not too long.

Bea: World City

If you could fit everything into one city, that would be Bea’s World City. Indeed, many experienced travelers feel it’s a waste of time to go anywhere else, for here you have it all: the Gobi Desert, Arizona, the Alps, Marrakech, rice paddies, corals, libraries, museums and of course, Tibet. You don’t need any visas or tickets. You just pick a street (let’s say Fifth Avenue) walk a few blocks, turn the corner, and you’re in Yucatan. When that gets too hot, walk a few more blocks and you’ll be able to ski in Chamonix. What’s that down at the end of the Boulevard St. Michel? The pink flamingos of Lake Nakuru! At night in World City, the diversions are endless, and in lighted windows above the dark street, you can see the silhouettes of people engaged in doing everything you ever dreamed of.

Thomas: Sun City