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The Beauty of Indeterminacy. Graphic Scores from “Treatise” by Cornelius Cardew

October 5, 2015 by Mariabruna Fabrizi 5 Comments

Cornelius Cardew (1936 – 1981) was a British music composer, who worked as an assistant for Karlheinz Stockhausen for three years. Apparently, after assisting to concerts of John Cage and David Tudor he turned his research towards indeterminacy and composed his most famous piece, “Treatise”.

Treatise-01

 

Written between 1963 and 1967, the composition is made up of a graphic musical score of 193 pages in a visual language invented by the author and completely distant from conventional music notation. Cardew never gave instructions on how to play “Treatise” and left its symbols, abstract forms, numbers and shapes open to free interpretation by the performers. Recurring graphic elements suggest the presence of a structure, but each interpretation of the piece is unique as the performer has to set his own rules when confronted with the notation. The graphic richness of the score and its resemblance to abstract composition allow the piece to exist also as a purely visual work.

 

Treatise-02

Treatise-04

Treatise-03

Treatise-05

Treatise-06

Mass Black Implosion (Treatise, Cornelius Cardew), 2013 Ink on archival facsimile of score 193 parts, each 50.5 × 66.5 cm

Treatise-07 Treatise-08

Here’s an attempt to play “Treatise” with a visual combination of the notation sheets:

Here is a visual analysis of the composition.

 

Other graphic music scores on SOCKS:

Maulwerke (Mouth Works) and Other Compositions’ Graphic Scores by Dieter Schnebel

The Unplayable Score: Faerie’s Aire and Death Waltz – John Stump

Fields of Indeterminacy: Toshi Ichiyanagi’s Fluxus Scores

Graphic Scores by Martin Davorin-Jagodić

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Trackbacks

  1. The Unplayable Score: Faerie’s Aire and Death Waltz – John Stump – SOCKS says:
    October 14, 2015 at 10:08 pm

    […] The Beauty of Indeterminacy. Graphic Scores from “Treatise” by Cornelius Cardew […]

  2. Mass Black Implosion by Marco Fusinato – SOCKS says:
    December 28, 2016 at 8:18 pm

    […] others. A single work may occupy only a single page, but the largest one, Mass Black Implosion (Treatise, Cornelius Cardew) is composed ofby 193 pages exhibited […]

  3. The Beauty of Indeterminacy. Graphic Scores from “Treatise” by Cornelius Cardew – SOCKS | ellyagunawan says:
    March 11, 2017 at 1:42 pm

    […] Source: The Beauty of Indeterminacy. Graphic Scores from “Treatise” by Cornelius Cardew – SOCKS […]

  4. Ver la música « Lucas López « VIRGEN Entrenamiento Creativo / Estudiar en Buenos Aires – Abierta Inscripción 2016 – Branding, Tipografía, Caligrafía, Lettering, Web, Ilustración, Diseño gráfico, UX, UI. says:
    September 20, 2017 at 3:43 pm

    […] funciona a modo de tratado sonoro trazado por las partituras de Fluxus, las anotaciones de Cornelius Cardew y los prospectos de la musique concrète al extremo de su decodificación gráfica. Una nube de […]

  5. Ver la música – VIRGEN Entrenamiento Creativo / Estudiar en Buenos Aires – Abierta Inscripción 2016 – Branding, Tipografía, Caligrafía, Lettering, Web, Ilustración, Diseño gráfico, UX, UI. says:
    January 3, 2018 at 6:07 pm

    […] funciona a modo de tratado sonoro trazado por las partituras de Fluxus, las anotaciones de Cornelius Cardew y los prospectos de la musique concrète al extremo de su decodificación gráfica. Una nube de […]

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